I think what we demonstrate on the show is that this kind of sex work is complicated.
At 28, I may value short-term thrills over conventional feelings of security.
Much like Harmony Korine in Spring Breakers, Araki’s neatest trick is how he has appropriated actors with pure-as-snow Disney Channel pasts, dropping them into the sex-positive, full-frontal, joyfully bisexual, unreal reality of all his films.
Anyway, fast forward a year, and things are going pretty well, I thought.
His is a playful world, requiring a slight suspension of disbelief: the perfect space for co-writer Sciortino to pursue her sexual utopias.
Even in their highly stylised bedrooms and parties, its cast of boys and girls flicker with the insecurities of your own coming-of-age; the sensibility is so pure.